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DEATH
OF A WRITER, BIRTH OF A SALESMAN, (CONT.)
In
order to sell a book, it has to stand out. In order for it to stand
out, the author has to stand out. First books are rarely bought
because the story catches on. They are bought because there is something
about the author that fascinates the buyer. That is why the
first people who will buy a book are the author's family and friends.
To them, the author is already special. The real challenge, however,
is to become also special to people who don't know the author yet.
Why
is that such a challenge? Here are a few illustrative numbers. Since
1776, approximately 22 million books have been published in America.
The good news is that 20.5 million of those are now out of print
and therefore out of contention. The bad news is that 1.5 million
titles are still in print. Each year, almost 150.000 new titles
are added. Now sit down for five minutes or so and make a list of
how many of their authors you know the names of.
Are
you back? How many are they, 10? 20? Or are you very knowledgeable,
and did you come up with a hundred authors? That's fantastic, but
still no more than a drop in the bucket of 1.5 million book titles.
Do you get the point?
More
numbers: in 1947, America counted 357 publishers. Back then,
if you worked hard at getting your name out, you might have had
a shot at it, although you didn't have TV, the internet, or modern
transportation means to help you. In 1973, the number of publishers
had mushroomed tenfold to 3,000. Seven years later, in 1980, there
were 12,000. Fourteen years later, in 1994, there were 52,847. Today,
it's about 56,000. All have new books to sell, all have invested,
all want a return on that investment. Does that make for a competition
hell, or what?
Now
let's step into the bookstore. There are 15,000 such stores in America.
Here's your first disappointment: 70 percent of all Americans
have not visited a bookstore in the last five years. Your bookstore
audience is a meagre 30 percent of every breathing body from sea
to shining sea. Of these folks, 60 percent come in knowing exactly
what they want. Only 40 percent are open to making impulse purchases.
How do they choose?
They
spend 8 seconds at looking at your front cover, so, yeah, the design
should be appealing alright. But they spend twice as long studying
the back cover, 15 seconds, therefore your back cover information
puts a lot more weight on the scale. What's on that back cover?
A brief book description, and information about you, the author.
If those two ingredients don't manage to catch the customer, forget
about all the rest.
And
here's the next disappointment. The bookstore is reluctant to stock
your book, and for a very good reason. With almost 150,000 new titles
coming out each year, the bookstore would have to add more than
one mile of additional shelf space if they were to stock just one
single copy of each new title, one mile this year, one mile
the next, and so on. They won't do that. They will only stock a
book that they believe will sell. And even then they are wrong 80
pct of the time, because that is how many books they are stuck with,
unsold.
So
much for wishing that the publisher would dump stacks of books in
the store. It is something that the publisher cannot do, because
it is not his decision to make. The bookstore determines which
books they will carry, and to add insult to injury, it is often
not even the local manager who makes these determinations. In most
bookstore chains, it is a higher-up "buyer" who decides
what the local stores are allowed to carry.
Thank
goodness for a little degree of lawlessness here, though. Many local
managers are willing to defy their headquarters every now and then,
and stock a book that the guy above their pay grade has overlooked.
That is where the author's legwork comes in. Stop being a writer,
and become a salesman. There are thousands of bookstores that
are carrying books because the author made an effort to sell himself
to the store manager.
And
after you have exhausted all you can do to work the bookstore? Think
limitless opportunities. Chain bookstores account for only 25
percent of all book sales. Almost 18 percent of all books are sold
through book clubs, 15 percent go through the (often much more agreeable)
independent bookstores, six percent through online stores such as
Amazon (they already carry your book, so don't worry about them),
and the remaining 35 or so percent are sold through, well, through
anywhere your fantasy will guide you.
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